It was in this old
alleyway called Swann’s Yard that the writer and poet Thomas Miller (b. 1807) once
had a shop. The son of an unsuccessful wharf-keeper and ship-owner, Miller left
school at the age of nine and became a voracious reader. He moved to Nottingham
in 1831 and set up his own basket-making business. A year later he published Songs of the Sea Nymphs. Miller wrote
poems (often about nature), children's books, penny dreadfuls and several
novels, including Fair Rosamund.
Often monetarily challenged he once unsuccessfully appealed to Charles Dickens
for financial assistance.
The day is past, the sun
is set,
And the white stars are in
the sky;
While the long grass with
dew is wet,
And through the air the
bats now fly.
From the poem Evening by Thomas Miller
Yes, Genius, thee a
thousand cares await,
Mocking thy derided state;
Thee chill Adversity will
still attend,
Before whose face flies
fast the summer's friend
And leaves thee all
forlorn
From the poem Genius by Henry Kirke White.
Go back along Long Row/Smithy
Row towards the Market Square then take the right up King Street.
Veer left and as you walk
up Queen Street you’ll notice a white Grade II listed building on your right.
This was once The Elite Cinema, one of the first of Nottingham’s
‘super-cinemas’. The first ‘talkie’ in Nottingham was shown here, Lucky Boy starring George Jessel. The
last film to appear was the ‘X’ certificate Take
an Easy Ride.
Across the road is
Nottingham’s Theatre Royal. Baroness Orczy’s play The Scarlet Pimpernel was first performed here in 1903 where it
received a lukewarm reception. The play’s stars, Fred Terry and Julia Neilson,
had confidence in the play and took it to London’s West End. This led to the
novel’s publication in 1905. The Scarlet
Pimpernel influenced the mystery genre, arguably creating the ‘masked hero’
prototype in which a person of wealth operates in the shadows under an alter
ego. Zorro, Batman et al all followed the Pimpernel’s lead.
It was here in 1952 that
Agatha Christie attended the first performance of her play The Mousetrap which later became the world's longest running theatrical production. The first Detective Sergeant Trotter was
played by a young Richard Attenborough. The production opened here because
Nottingham was regarded as a lucky city to launch new plays. Christie liked
Nottingham and once took a young Brian Blessed on a tour of the city.
On the right you’ll pass the Express Building, an impressive
Watson Fothergill design that housed the offices of the Nottingham Journal.
It was in this building that a young Graham Greene (b. 1904) worked as a trainee writer. There’s a plaque marking his time here. Greene’s Nottingham was a town that “makes one want a mental and physical bath every quarter of an hour."
Graham Greene began at the Nottingham Journal in the November of 1925, working in the evenings. He later said, “It was the furthest north I had ever been, the first strange city in which I had made home, alone, without friends.”
He wasn’t quite alone (he lived with an unwell dog), or friendless (he was pally with Cecil Roberts), but it’s fair to say that Greene didn’t see Nottingham at its best, with polluted air and freezing temperatures commonplace during his four month stay. It was, however, a hugely important period. It was during this time that Greene converted to Catholicism; and from his digs and landlady, to the sights and sounds he witnessed here, Nottingham can point to many influences on his writing.
“I don’t know why a certain wry love of Nottingham lodged in my imagination,” wrote Greene, who later set a novel in a version of the city.
It was in this building that a young Graham Greene (b. 1904) worked as a trainee writer. There’s a plaque marking his time here. Greene’s Nottingham was a town that “makes one want a mental and physical bath every quarter of an hour."
Graham Greene began at the Nottingham Journal in the November of 1925, working in the evenings. He later said, “It was the furthest north I had ever been, the first strange city in which I had made home, alone, without friends.”
He wasn’t quite alone (he lived with an unwell dog), or friendless (he was pally with Cecil Roberts), but it’s fair to say that Greene didn’t see Nottingham at its best, with polluted air and freezing temperatures commonplace during his four month stay. It was, however, a hugely important period. It was during this time that Greene converted to Catholicism; and from his digs and landlady, to the sights and sounds he witnessed here, Nottingham can point to many influences on his writing.
“I don’t know why a certain wry love of Nottingham lodged in my imagination,” wrote Greene, who later set a novel in a version of the city.
Recommended: A Gun For Sale (1936) by Graham Greene.
Continue along and turn
right on Clumber Street and head down Nottingham’s busiest pedestrian street.
About halfway down, on the right, is Maypole Yard. It was here in 1825 that the
‘White Lady of Newstead’ lost her life. Her real name was Sophia Pyatt (or
Hyett, or Hyatt depending on who you believe). Sophia was knocked down and
killed by a carrier's cart. The poet and admirer of Lord Byron is said to be
the famous ‘White Lady’ whose ghost haunts Newstead Abbey. Sophia’s remains
were interred in Hucknall Church as close as was possible to Lord Byron's.
Back in 1927 the Nottingham Writers' Club was founded there during a meeting. Among the first members was the published writer Arthur E.
Ashley, who wrote under the pen name Francis Vivian, author of the Brother
Ignatius and Inspector Knollis series’. Alan Sillitoe (born a year after the
club opened) would become a member.
Recommended: Saturday Night and Sunday Morning (1958)
If you went through life refusing all the bait dangled in front of you, that would be no life at all. No changes would be made and you would have nothing to fight against.
(from Sillitoe's Saturday Night and Sunday Morning)
If you went through life refusing all the bait dangled in front of you, that would be no life at all. No changes would be made and you would have nothing to fight against.
(from Sillitoe's Saturday Night and Sunday Morning)
Move from here to the gorgeous
Zara building on the corner of Pelham Street, once home to the first Boots
‘wonderstore’, which may have included the first Boots Booklovers’ Library. It
was Florence and Jesse Boot that established the Boots Booklovers’ Library which
went on to become the largest library system of its kind in the world. Florence
Boot created the departments in an effort to address the poor literacy levels
she’d noticed in Nottingham. The majority of the members were women and the
libraries became important social hubs. Boots’ famous green labels were found
all over the world as they developed an organised distribution system,
uniquely offering an inter-store exchange of books.
Turn left here and head up
Pelham Street. About halfway up, on the left, it joins Thurland Street. It was
on this street in 1853 – at no. 8 – that the Artisans' Library was established.
This later developed into Nottingham’s first Free Public Library which was
opened in 1868 by Alderman Barber, the then Mayor of Nottingham. 400 people immediately signed up to join. The people of Nottingham had been demanding a public library but it was only after the Artisans' Library found itself in financial difficulty and offered the town its entire stock of books, about 10,000, that an agreement was reached.
To the right is Tanners.
It was in this grand building that J M Barrie (b. 1860) came to work in 1883,
as a lead-writer on the Nottingham
Journal. There’s a plaque stating as much.
Barrie was sacked a year
later as they couldn’t afford his wages but Nottingham helped provide the
Scottish playwright with some inspiration for his most famous story. Legend has
it that Barrie witnessed a street urchin wandering through Nottingham’s Clifton
Grove, sparking the idea for his character Peter Pan. It’s more likely that his
inspiration for a boy for whom death would be "an awfully big
adventure" is traced back to the death of his brother who died in a
skating accident. Barrie later said that his mother had taken some comfort from
the thought that her golden boy would never grow up. Barrie took regular walks
through Nottingham’s Arboretum to and from work and the area does share a few
features with Neverland.
The poem continues:
And when she does die,
which I hope will be soon,
She firmly believes she
will go the moon.
George Gordon Byron (b.
1788) was ten when he wrote this poem about an old woman from Nottingham. This
was around the same time he inherited his title and ancestral home Newstead
Abbey.
Before we move on, have a
look down into Goosegate, Hockley. A couple of centuries ago, Nottingham lace
worker Susannah Wright was charged with unlawfully publishing and selling the
scandalous and blasphemous. She defended herself in court, using the
opportunity to assert her right to free expression and calling for the people,
not the church, to make the laws. She was indicted for profanity, becoming the
only woman to be imprisoned on this charge. After her release, she opened a
radical bookshop on Goosegate to much protestation. A riotous mob once smashed
their way in but Wright held out. On one occasion, she withdrew a pistol from
her counter and calmly asked if the threatening yobs should like it fired at
them. Wright defeated the Committee for the Suppression of Vice and moved her
successful bookshop to larger premises.
Skirt past the Byron
plaque and follow Victoria Street for the next destination.
During his time in
Nottingham, J M Barrie was a member of the Nottingham Sette of Odde Volumes,
a literary society that met fortnightly on Victoria Street to discuss and read
literature. Barrie was said to have been moved when later made an honorary
member of the group co-founded by John Potter Briscoe, Principal Librarian of
the Nottingham Free Public Libraries from 1869 to 1916.
It was in 1900 that the
poet and playwright John Drinkwater (b. 1882) became involved in Nottingham’s
amateur theatre scene, making an appearance in a performance at the Mechanics.
At that time Drinkwater worked on the staff of the Northern Assurance Co. about
half way down on the right-hand side. The young, cash-strapped office worker
used to buy rotten fruit from the Market Place to bulk up his lunch.
Opposite here, on the left,
is the former office building for the Imperial Fire & Life Insurance Co. It
became the Reform Club (above) in 1913, designed as a place for Nottingham's new
wealthy middle classes to meet and to engage in discussion. Sir Jesse Boot was
counted amongst the membership. In the 1960s it became the Victoria Club, one
of the country’s finest private members' clubs.
Continue along to the end
of Victoria Street.
(from Oldham's By the Trent)
The other side of Bottle
Lane is Waterstones. This grand Victorian building fills five floors making it
Nottingham’s biggest bookshop. On the top floor is a large events’ room - named
after the Nottingham writer Alan Sillitoe - which hosts regular author talks.
Waterstones Nottingham holds an annual LGBTQ+ writing festival called Bold
Strokes.
Head along Bridlesmith
Gate. Anne and William Ayscough, together with John Collyer, became
Nottingham’s first printers in 1710. A few years later they would hold rival
businesses with the Ayscough’s producing the Nottingham Weekly Courant and Collyer printed the Nottingham Post. It was here, between St
Peter’s Gate and Pepper Street, that Nottingham’s first printing press was established.
Centuries later, Bridlesmith Gate would become the place to come for typewriters.
Turn left at the end of Bridlesmith
and head up to the top of Low Pavement.
On the left, on the corner
of Weekday Cross, is a plaque for Philip James Bailey (b. 1816) which states that
on this site stood the house in which Philip James Bailey was born.
There’s
some debate regarding the accuracy of this plaque’s statement but Bailey is
worthy of note. He is best-known for his epic poem Festus, initially written at Basford House where his father lived. Festus was constantly being added to by
Bailey who read his poem to the writers William and Mary Howitt at their
Chemist’s shop on Parliament Street.
We live in deeds, not
years; in thoughts not breaths;
In feelings, not in
figures on a dial.
We should count time by
heart throbs: he most lives
Who thinks most, feels the
noblest, acts the best.
Philip James Bailey from Festus
Turn back down Low
Pavement. Just past the entrance to the Broadmarsh Shopping Centre is Jamie’s
Italian. The writer Abigail Gawthern (b. 1757) lived and died in this elegant
house. Gawthern’s diaries were copied into one important volume which
documented how Nottingham's professional classes lived during a politically
turbulent time.
On the side of the
building is a sign for the lost Drury Hill. The destruction of Drury Hill was a
real blow to the city. Councillor Len Maynard said: “I am very sorry to see
Drury Hill go but a small alleyway should not inhibit the progress of a large
scheme.” That scheme was the eyesore that was the Broadmarsh Shopping Centre.
The medieval thoroughfare of Drury Hill could have been preserved and used as a
tourist attraction. Instead, it’s lost forever.
The ancient Drury Hill
featured in the 1960 film of D H Lawrence’s Sons
and Lovers.
At the end of Low Pavement
cross over to Castle Gate. Immediately on the left is Weavers, the Trease
family business, now run by brother and sister Philip and Mary Trease, the 5th
generation.
The youngest son of a wine
merchant, Geoffrey Trease was born in 1909 in Chaucer Street, in the Arboretum
area. He was educated at Nottingham High School where he was head boy, leading
to a scholarship to study Classics at Oxford, only to leave a year later to
focus on his writing. At one time, Trease had more books in print than any
other British author. His many titles include children’s books, novels,
autobiography, criticism and historical studies, such as Portrait of a Cavalier, the life of the duke who built
Nottingham Castle, and Nottingham: A
Biography, a history of the city. His best-known book is Bows Against the Barons, a classic children’s book from 1934 which
tells the story of a boy who joins a band of outlaws and takes part in a
rebellion against the feudal elite. This was a typical Trease story, historical
fiction for children, written to help nurture the children of Britain. Another
of his works, Tales out of School,
was a ground-breaking survey about children’s books, whilst A Flight of Angels was inspired by the
deep sandstone cellar-caves dug out under Nottingham by the old wine merchants.
Recommended: Nottingham: A Biography (1970)
Next to Weavers is another
plaque, this one marks the site where a 16-year-old D H Lawrence (b. 1885) began
his working life. It was after leaving Nottingham High School that Lawrence
worked at the Haywood Factory, home of J A Haywood’s surgical appliance
warehouse. Lawrence only lasted three months, leaving his role as a junior
clerk in 1901 following a bout of pneumonia and the unexpected death of his
older brother William from erysipelas. Shattered by the death of her son,
Lawrence’s mother turned her attention to her younger boy, nursing him
tirelessly and transferring to him the hopes and ambitions that she had had for
William, creating a dynamic that formed the heart of Sons and Lovers. The novel was also influence by his experience of
factory life at Haywood’s and the bullying he received from the factory girls.
Recommended: Sons and
Lovers (1913)
...you love me so much, you want to put me in your pocket. And there I will die smothered.
(from Lawrence's Sons and Lovers)
...you love me so much, you want to put me in your pocket. And there I will die smothered.
(from Lawrence's Sons and Lovers)
A couple of doors up from
here is a former home of Geoffrey Trease. Still in the family, the Treases’
library has been preserved and contains all of the prolific author’s 113 titles,
many in several versions and translations.
Reville was the only person to whom her husband would defer. She can even take credit for there being music during the famous shower scene in Psycho, as it was on her insistence that Hitchcock, who had wanted the scene played out in silence, agreed to include Herrmann's shrieking violins. On receiving his AFI Lifetime Achievement Award, Hitchcock remarked that ‘…without Alma I might be in this room tonight, not at this table but as one of the slower waiters on the floor.’
Cross the street and pass
The Royal Children, joining Hounds Gate. About half way down, on the left-hand
side, was the site of a ‘Library for Females’.
At the end of Hounds Gate is a
building which once housed the studio of the renowned artist Evelyn Gibbs.
Gibbs taught at a school for handicapped children while writing her influential
art book The Teaching of Art in Schools
(1934) which was illustrated by her pupils. Gibbs herself illustrated several
of Nottingham author Hilda Lewis’s books. Gibbs had moved to Nottingham during
World War II and it was here that she created the Midlands Group of Artists.
Turn left and walk long
Wheeler Gate.
Half way up, on the left,
is Eldon Chambers where several old houses are tucked away. One of them
contains a carved staircase almost identical to the one at Bromley House
Library. Both staircases were made by William Stevenson, a master-carpenter and
cabinet maker, and the author of Bygone Nottinghamshire
(1893).
Opposite here, where Sainsbury’s Express is, was the home of a grand bookshop between 1897 and 2005. Sisson and Parker (Est 1854) moved to the former hotel from nearby Albert Street, selling novels and dictionaries. They later supplied text books for schools and colleges as well as religious books and stationery, and housed a lending library on the premises. In the early 1980s Hudsons replaced them but before the decade was out Dillons had taken over the store. A place to lose away the hours, Dillons was well-stocked and covered several floors of this fine building. The brand ceased to exist in 1999 and, as with many of their stores, Waterstone’s took over the premises. Nottingham soon had two large Waterstone’s bookshops within close proximity of each other and something had to give. The writing was on the wall (or literally the floor) for the Wheeler Gate store which never did change its Dillons branded carpet, and it closed its doors six years later.
Alan Sillitoe and John
Harvey have featured Wheeler Gate in their work.
Recommended: Harvey's Lonely Hearts
(1989)
Cross the Zebra and
Wheeler Gate becomes Beastmarket Hill.
Follow the arc of the
street until reaching The Bell Inn, arguably the oldest pub in Nottingham.
This is a former meeting
place of Nottingham Writers’ Club whose former members include Helen Cresswell
(b. 1934), author of Moondial and the
Lizzy Dripping series.
Across from here is Yates’s
Wine Lodge, described in The Unfortunates
(1969), B S Johnson’s book in a box in which a journalist arrives in an unnamed
city (that’s really Nottingham) and heads to report on a football match at an
unnamed stadium (that’s really Forest’s City Ground). His attempts to make his
weekly report are disrupted by memories of the city and of his best friend
Tony, a young victim of cancer. A promotional film was made about the book
designed to be read in any order (apart from the first and last sections). The
film, released in the same year as the book, showed Johnson in Yates’s having a
drink.
Recommended: The Unfortunates (1969) ...that's right, I remember now, they call streets boulevards in this city...
(from Johnson's The Unfortunates)
In the 1990s Joan Adeney
Easdale (a.k.a. Sophie Curley) (1913-1998) was a regular in bars like Yates’s
and The Bell. Thought to have become schizophrenic following a break down,
Curley was a local eccentric. In her youth she had been destined for great
things as a poet. Virginia Woolf described her as her 'discovery' and published
some of her works. In the 1930s she wrote plays for the BBC. Her granddaughter
Celia Robertson, wrote a book about her called Who Was Sophie?: The Two Lives of My Grandmother: Poet and Stranger
(2008).
A bit farther up from The
Bell is Bromley House Library. Sandwiched between a charity shop and a
newsagent’s is its entrance. This grand building could easily pass as a museum
or stately home but it’s a working library with over 40,000 books. Since 1816
the library has been the place for
writers and intellectuals. Michael Faraday visited here and George Green, a
father of quantum physics, called it his first university. With its spiral
staircase, fine art and working meridian line, Bromley House is a hidden gem.
There’s even a secret garden providing a perfect escape from the bustling city.
If you’ve a bit more time
take a trip to the top of St James Street where you’ll find Newstead House. Otherwise
skip the next section and head for the Market Square.
Newstead House: The
romantic poet Lord Byron lived here as a 10-year-old while an unqualified
‘surgeon’ worked on his lame foot using a vice, ‘treatment’ that was as useless
as it was painful. He lived with his widowed mother and took Latin lessons from
Mr ‘Drummer’ Rogers.
The Market Square.
William and Mary Howitt
lived in a fine house on South Parade, it’s place now taken by the Wetherspoons
pub and a Nat West bank.
Devoted to “the entertainment, the good and the
advancement of the public”, Mary Howitt (b. 1799) championed rights to
education, the suffragette movement and free expression. She considered herself
“bound to no class” and her writing was popular with both adults and children.
In addition to her own prose and verse, she translated the fairytales of Hans
Christian Anderson and the novels of the feminist reformer Fredrika Bremer. Her
moralistic stories and poems for the young include The Spider and the Fly. Another prolific writer, William Howitt (b.
1792) is best-known for writing the controversial book The History of Priestcraft and being involved in local politics.
Much of his writing focused on country life and guides and he often
collaborated with his wife. Living in the heart of Nottingham, the Howitts witnessed
first-hand a turbulent time in our history; one that included the Reform Riots,
of which they were on the side of those seeking radical reform.
Recommended: Mary Howitt:
an autobiography edited by her daughter (1889)
The Council House was
where Cecil Roberts became the first author to be named one of the honorary
Freemen of the City of Nottingham. He received the title here in 1965.
As a
fifteen-year-old, Roberts had worked beneath the Council House - when it was
the equally grand Exchange Building - as a clerk in the Market and Fairs
Department. Young Roberts was based in a cubby-hole; bereft of daylight and
fresh air he endured the smells coming from the butchers in the bloody
Shambles, the stalls of poultry and the nearby penny lavatories. Roberts was
the only author to be granted a Freeman of Nottingham title during the 20th
Century. He later discovered that a mouse had nibbled on his ceremonial scroll.
In 2008 Alan Sillitoe
became this century’s only writer to receive the honour.
The Council House has been
the workplace of the current Sheriff of Nottingham, the acclaimed author
Catharine Arnold.
Recommended: If you’d like
a guided tour of Nottingham’s literature hotspots then take the Nottingham
Booklovers Walk, with Felicity Whittle, award-winning Blue Badge Tourist Guide
and founder of Gold Star Guides. This 2-hour guided walk covers much more than
the above and celebrates many more of our writers.
If you've any additions or amendments you'd like to make to this route please drop me an email.
If you've any additions or amendments you'd like to make to this route please drop me an email.
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